Equestrian architecture in symbiosis with nature
- Cécile Bitton Duris
- Feb 23
- 2 min read
Architecture is a constant dialogue between humans and their environment. Some architects have redefined this relationship, and Frank Lloyd Wright is undoubtedly one of the most emblematic. His organic approach, where each building naturally integrates into its landscape, resonates deeply with my own vision of equestrian architecture.
Architecture inspired by nature
Frank Lloyd Wright believed that a building should never dominate its environment, but rather be an extension of it. His concept of organic architecture is based on several key principles:
Harmony with the landscape : each project is designed according to its natural setting.
Local materials : the use of wood, stone or glass creates a direct link with the environment.
Fluid integration : the lines and shapes follow those of nature, without any abrupt break.
Wright's best-known masterpiece, Fallingwater , perfectly exemplifies this philosophy. Built over a river, it seems to become one with the rocks and water that surround it.
An inspiration for equestrian architecture
Like Wright , I am convinced that architecture must adapt to its context and its occupants. In my projects as an HMONP Architect and equestrian architect in Rambouillet , this approach translates into:
Stables open to nature : promoting natural light and ventilation for the well-being of horses.
Environmentally friendly materials : wood, stone and natural coatings for smooth integration.
Smooth circulation between interior and exterior : creating spaces designed for harmonious interactions between humans and horses.
Spaces designed for living things
One of Wright 's strong ideas was that architecture should be "a shelter for the soul." This vision finds a particular resonance in equestrian architecture : a horse that evolves in an environment designed for its comfort will be more serene, more attentive and more efficient.
How do you imagine an equestrian place where architecture and nature become one?
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